“Since its appearance in the 1960s, it has shown an expressionist vocation both in the use of color and in its figurations. It derived from painting and drawing to constructions and assemblages with various objects that it combined with sculptures and intervened with colors. The taxidermied animals and bones represented a direct transfer from reality and recognized in death, which gives a definitive form to bodies, the perfect sculptor (...) In two decades, Miguel von Dangel has built a unique universe of great rigor and internal coherence that results from an adjustment between the material system and the system of meanings”

Montero Castro, Roberto: Miguel von Dangel and the Renaissance of Latin American Art. Reyes Torres, Eddy, 2012.