With the encapsulation of the "Mother Earth of Venezuela," the artist presents it to us in its natural state, approaching it in the sense of the temporal. In his own words: "The freezing of immediate time happens eternally within a polyester capsule, having altered the natural environment from which it was taken and the very moment itself. If we manage to stop time, we are also stopping our presence in time."

(El Nacional, August 26, 1982). Miguel von Dangel and the rebirth of a Latin American art. Reyes Torres, Eddy. 2012